Works

The Centre of Time explores the perception of time from within our bodies, through the imaginary lens of Einstein's Dreams, a novel by Alan Lightman. Time stretches, spirals, and bends back on itself in a dreamlike space coloured by imagery captured in Labrador.

A renewed adaptation of Re:Place, this piece guides its audience through nature to discover a series of short dances performed on an outdoor stage - stretching to half a kilometre - in order to reflect on our evolving relationship to place and to each other.

An immersive exploration of human contact in an era of isolation. A series of bodies haunted by lost futures. A portal into liminal worlds entwining the domestic and the natural. Created virtually and performed at Vancouver's Trout Lake Park for Vines Art Festival. 

ForceField uses touch, non-touch, spatial relationships, and highly physical partner work to explore the vulnerability and danger associated with bodies during a global pandemic. 

A short film set against urban and natural landscapes in St. John's, Newfoundland during the COVID-19 lockdown, Shipwreck uses contemporary dance to highlight the tension between isolation and connection.

Jenn's only solo work was developed during a 12 Minutes Max residency at Vancouver's Scotiabank Dance Centre in 2017, less than six months after her father's death. It touches on grief, fear, humour and while blending theatricality and abstraction.

 We’ve all had that feeling… like you don’t belong.

Like you’re a fraud… an imposter in your own life. This cathartic romp of a piece blows self-doubt out of proportion and turns it inside out.

A Dystopian exploration inspired by images and themes from films by Yorgos Lanthimos, The Lobster and Dogtooth. Seven dancers navigate a fishbowl of fear, paranoia, escapism and romance. 

 Conduit sources the movements of orchestral

conductors to weave an abstract tale of human relationships, power dynamics and the role of art in our lives.